FROM GOD, CHRIST, COVID : THE GLOBALISTS' CRUSADE AGAINST MANKIND - BOOK ONE, FROM ANNU TO ZIONISM ...
The Baptism of Earth birthing a new World
Gunkel observed that in all the World's creation myths 'the World once was water and darkness' : "Dazu kommen die mannigfachen Parallelen aus heidnischen Schöpfungsmythen, 'die sämmtlich in dieser Vorstellung, dass die Welt einst Wasser und Finsternis gewesen sei', übereinstimmen." [in 'Schöpfung und Chaos in Urzeit und Endzeit', Hermann Gunkel, 1895] Moreover, remarked Gunkel, that same Chaos is recounted not only by the Babylonians and Hebrews, but also by the Egyptians, Phoenicians, Indians and the Greek, while we may well add here the Chinese too. One should note, again, that instead of the planet Earth the World, and in fact a 'New World', is the object of 'creation'.
[NOTA BENE] Clearly the events of the collision of Saturn and Mars resulting in Saturn's Nova and the cosmic hydrogen and chloride tsunami, causing the Deluge on Earth [NOTE : "the isotopes of Saturn's rings match Earth’s water" - www.psi.edu/news/phoebewater] and its aftermath are what is being recounted in all earliest written so-called 'creation' tales, from the 'Enuma Elish', Epic of Creation, or the Seven Tablets of Creation to the Torah's Genesis creation tale, which is of course from Sumerian origin. [see Hermann Gunkel, 1895, Werner Keller, 1956, and Shifa Careaga 2021]
As Gunkel had noted, "Die Erzählung sezt ein zu einer Zeit, wo - auser der Abyssus - bereits der Himmel sammt den Sternen und die Erde ([NOTE] als Wüste existieren. Die 'Schöpfung' besteht demnach eigentlich mer in der [NOTE] 'Ordnung' der Welt. Das ist eine Anschauung die auch im Alttestament belegt ist." : 'The tale is set in an era in which next to the abyss already heaven, the stars and Earth exist in a state of chaos. The creation is thus in fact rather creating order in the World. This situation is evident in the Old Testament too'. Obviously the entire scenario depicts Earth plight through and right after the extinction catastrophe of the Deluge and its tumultuous chaos of water, waves and darkness.
Man's oldest known documents already, while describing the World's demise and rebirth, submerging into and emerging from the waters above and below, weave their web of illusions aimed at capturing their audience, both with a god-given right-to-rule, the extreme form of which forms the Romanist Papacie, operating nowadays through it's Vanguard Globalist cabal, which claims universal sovereignty over all, "owing no allegiance, or subserviancy to anyone on Earth" [see 'Romanism as a World Power', Luther S. Kauffman, 1922] and their 'god-given' law. For instance, the law codes of Ur-Numma, Hammurabi, the Mose, and the Doge : "according to the Myth of Venice it is Moses who is analogous to Saint Mark, who handed the Decalogue, the basis of Venetian justice, to Doge Gritti" [Mazetti Petersson, Papal Power, 2017]. All the ancient texts, many, if perhaps not most, of which had been either actual accounts [see Keller] of catastrophic events, or, like the Yih King, which initially had been a rational attempt to decipher creation [see Carus, 1898 and 1907], and the social phenomena attached to these media, were rapidly corrupted with mysteries and occultism designed to serve the purposes of the power-mongers in a process that was to continue upto today, with the Globalists being steeped in occultism. The quasi rulers of the present are as much under the spell and power of the supposedly priestly representatives of God on Earth, the Papacie and it's Vanguard cabal, as were the rulers of lore driven by the divinations of the gods' mediators and representatives on Earth.
Word, writ and software, from the very beginning peddled as divine and magic, would weave a surreal web, or pseudo reality, of a virtual world, with power mongers as playwrights. The Scriptures, which since long form an increasingly muddled collection of tales based on muddled recollections and corrupted records, to the extent that the entire religious complex turned arbitrary and fictitious, created circumstances conducive for the power-mongers' chicanery. It also created the environment required for psy-ops such as crusades, communism with its cultural revolution and holo-domor, nazism with its holo-caust and Dresden, and the coronazist holo-covid event.
The Seven Tablets of Creation, or the 'Enuma Elish', meaning 'when in the heights', the opening words of the epic, recounts, stated King in his 'The Seven Tablets of Creation', the struggle between cosmic order and chaos, notably 'water' : "When on high .. when the sky was not yet named and the earth below was nameless. Only Apsû, the abyss, and Tiamat, or chaos, existed. [NOTE] From their mingled waters came forth Mummu, the “tumult of the waves,” and the monstrous serpents Lakhmu and Lakhamu." [source Occult-World.com]
What could cosmic chaotic mingled and tumultuous waters possibly portray but the electro-magnetically charged event of the cosmic Deluge .. it certainly does not describe the phenomenon of the creation of the Universe .. whichever way taken the ancients referred to actual water and chaos, not to a virtual "sea of transcendental energy posited by both a 'Big Bang' and Vedic cosmologies as existing before a material manifestation of universes." [see Cremo, Human Devolution, 2003]
"The 'Enuma Elish' narrates the story of the [NOTE] 'creation of the world and man'. It describes the coming forth of the gods from chaos, and tells the story of how the forces of disorder, represented by the primeval water-gods Apsû and Tiamat, were overthrown by Ea and Marduk respectively, and how Marduk, [NOTE] after completing the triumph of the gods over chaos, proceeded to create the world and man." ['The Seven Tablets of Creation', Leonard William King, 1902]
[NOTE] "From the chaos that was created by the 'merging' of Apsû, the watery deep beneath the earth, and Tiamat, the personification of the salt waters, Lahmu and Lahamu, usually representing silt, in Mesopotamian mythology, twin deities, were the first gods to be born; this is described in the Babylonian mythological text 'Enuma elish'. [source Encyclopedia Britannica] Being bright and ferocious, as described in Tablet 3 : "Grim, monstrous serpents, arrayed in terror", "She decked them with brightness, she fashioned them in exalted forms", these serpents would have been electrical discharges, cosmic lightning, exploding through the tumultous event. Tiâmat itself too, wrote Gunkel [1895], was seen by the Babylonians as the Dragon, which would have been red.
Now, see here [See Image Below⬇] a dying star, like Šamaš, forming a Red Dragon or Serpent :
NGC 5189 is a planetary nebula with an oriental twist. Similar in appearance to a Chinese dragon, these red and green cosmic fireworks are the last swansong of a dying star.
This image [See Below⬇] has been taken with the New Technology Telescope at ESO’s La Silla Observatory in Chile, using the now decommissioned EMMI instrument. It is a combination of exposures taken through different narrowband filters, each designed to catch only the light coming from the glow of a given chemical element, namely hydrogen, oxygen and nitrogen.
Credit : ESO
About the Object : Name: NGC 5189, Type: Milky Way : Nebula : Type : Planetary, Distance: 1800 light years, Constellation: Musca, Category: Nebulae]
Note that in the Gospels Satan, also portrayed as a dragon [Revelation 12:9, "The great dragon was hurtled down - that ancient serpent called the devil or Satan, who leads the whole world astray. He was hurtled to the Earth, and his angels with him."], or Lucifer, is described as the lightning falling from heaven [Luke 10:18, "Jesus said, 'I saw Satan fall like lightning from Heaven'."], or as a brazen serpent, such as cast by the Mose [which was worshipped by the Jews, whom called it 'Nehushtan' - see Gardiner 2007], symbol of Pharaoh's authority, as 'child from the sun', which would be cast-down by a cosmic thunderbolt from Zeus, or Jupiter. [see A. Ralph Epperson, 2009]
Note : The origin of the motif of the snake, the Fire Snake or Serpent, the Fire or Vulcan God, the Shining Serpent, the Dragon spitting fire and a sword protruding from its mouth, was the celestial electro arc flashing between celestial bodies. Gunkel [1895] wrote : "dem Drachen, diesem schrecklichen Ungetüm das mit seinem Schweife die Sterne herunterwirft, hätte der Beinahme Schlange der Urzeit, oder Chaosschlange.", that is, 'the Dragon which throws down with its tails (plural), here as 'tails from comets', the stars or planets'. "Der Drache ist in der babylonischen Tradition Tiâmat; man darf postulieren, dass sie auch in dieser Tradition rot [red] war. Was bedeutet diese Farbe?" .. What but blood and fire?
Elecrical exchanges between celestial bodies flashing through the Universe were seen as gigantic snakes of fire and fire spitting dragons devouring their victims. A particularly potent one emanating from Šamaš in distress would have electrocuted Earth some 40.000 years ago.
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