Flood, Mud, and Man
Emerging from mud, the gods Man perceived represented the tormentors in his immediate environment, the heavens, sky and storm, water and earth : Anu, Enlil, or Běl and Ea, or Enki, representing Saturn, Jupiter and Neptune, forming the arch-trinity and the erratic cosmic realm moulding the World, featuring in 'the heights' of the Epic of Creation. The epic is found in multiple versions adapted to feature the godly hero of the day and its ruler, before Marduk the primary amongst those were Anu, Enlil, Ea and Ninurta. Adapting and rewriting sacred texts to suit the prevailing circumstances, both Above and Below, were common occurrences, the Scriptures including the Torah and its Genesis form no exception, on the contrary.
The Torah in particular and the Old Testament in general, but also Revelation [see Gunkel, 1895], are as it appeared specifically a product of the earlier Mesopotamian and Nubian-Egyptian works of wisdom, knowledge and sciences reaching back into the golden ages during antediluvian times. Hermann Gunkel wrote, in his 1895 'Schöpfung und Chaos in Urzeit und Endzeit', that he not merely claimed the Babylonian origin of texts in the Bible, but that he also showed how the copied texts in Israel were integrated and adapted ["Demnach habe ich mich nicht begnügt den Babylonischen Ursprung eines biblischen Stoffes zu behaupten, sondern überall daneben erörtert in welcher eigentümlichen Weise der übernommene Stoff in Israel aufgefast und umgebildet sei."]
"Not only direct borrowings took place, but also creative reinterpretations, especially on the Jewish side," observed Amar Annus : "Some of these creative reinterpretations must have occurred as deliberate inversions of the Mesopotamian source material. The Jewish authors often inverted the Mesopotamian intellectual traditions with the intention of showing the 'superiority' of their own [Atonic/Mosaic] cultural foundations. .. Jewish authors systematically discredited the Mesopotamian primordial sages (apkallu in Akkadian) as the Watchers and Nephilim, while making them a part of their national history. In Jewish reinterpretation, Mesopotamian antediluvian sages became illegitimate and wicked teachers of humankind." ['The Origin of the Wachters', Amar Annus, 2010]. NOTE that the very origin of the Mose's Aton cum Yhw cult was a deliberate spiteful inversion of the The Amen religion. [see 'Moses and Monotheism', Freud, 1939]
Werner Keller, in his 1956 'The Bible as History', made the fascinating observation that line 134 of the 11th tablet of Gilgamesh' epic, recounting the arrival of the Flood, "as soon as a gleam of dawn shone in the sky, came a black cloud from the foundation of heaven. Inside it Adad [the Lord of Weather and companion of Šamaš] thundered. Adad's rage reached to the heavens, turning all light to darkness .. and all mankind had turned to clay, the ground was flat like a roof.", "must depend on an eye-witness account."
Note that Amar Annus in his 'On the Origin of the Watchers' stated "The Gilgamesh epic, with its programmatic first line, ‘he who saw the Deep’ [implying an eye-witness], presents the hero as the transmitter of the antediluvian wisdom to his contemporary world."
Taking into consideration that the Flood would have occurred around 10.500 BCE the question "when would that eye-witness account have been jotted down initially" is warranted. Perhaps, as the according to the 'Enuma elish' antediluvial existence of the Tablets of Destiny would suggest together with the statement to that effect by Ashurbanipal, writing was employed a lot earlier than claimed by 'obedient' academicians.
[NOTE] "A way to preserve the knowledge was to inscribe pre-flood wisdom in its entirety on different tablets or stones and either to bury them or to install the knowledge carriers on high places to escape the perdition. Such a variant is attested in Berossus fragment F4b, where 'all writings' are buried in Sippar [NOTE, compare the 'Doomsday Seed Vault], the city of the Sun god before the flood (Burstein 1978). In Mesopotamian tradition, such a divine source of information was the Tablets of Destiny, which corresponds to 'heavenly tablets', on which the divine secrets are written (Arbel 2006). At least one Mesopotamian myth (LKA 146) presents the seven apkallus [antediluvian sages] as possessors of the Tablets of Destiny. (See Denning-Bolle 1992; Lenzi 2008)." [in 'On the Origin of the Watchers', Amar Annus, 2010]
"George Smith recovered the opening lines of the First Tablet [of the Seven Tablets of Creation, 'Enuma elish'], which describes the condition of things before Creation when the primeval water-gods, Apsû and Tiamat, personifying chaos, mingled their waters in confusion." [King, 1902] However, 'the condition of things' depicted do not refer to the situation 'before Creation', but to the condition of Earth submerged in the cosmic tsunami caused by the collision of Mars with Saturn, the Deluge, and its subsequent emerging out of the galactic hydrogen storm, which caused hot and salt water cascading down onto Earth as hydrogen and chloride reacted with the Earth's atmosphere. [see Velikovsky] Logically it would have terminated any 'Ice Age' in its course as well.
King : "Even according to the present [likely deliberately, mingled] arrangement of the Hebrew [Genesis] account, there are striking points of resemblance to the Babylonian poem. [i.e. the Seven Tablets of Creation] These may be seen in the existence of light [the Saturn Nova - see Velikovsky] before the creation of the heavenly bodies; in the dividing of the [NOTA BENE] waters of the primeval flood by means of a firmament also before the creation of the heavenly bodies [Sun, Moon and stars becoming visible as Earth orbited out of the cosmic hydrogen and chloride storm]; and in the culminating act of creation being that of man [survivors cralwing out ot the mud]. Notably King made explicite that in the original text it was not written that 'mankind' was created, but 'the black-headed ones', i.e. 'Africans'.
"It would be tempting to trace the framework of the Seven Days of Creation, upon which the narrative in Genesis is stretched, to the influence of the Seven Tablets of Creation, of which we now know that the great Creation Series was composed.", wrote King [in 'The Seven Tablets of Creation', 1902] almost a half-century before Velikovsky's 'Worlds in Collision' would appear. King : "Several fragments, which from their contents and style of writing may possibly belong to copies of the text, have not been included. [consider the 'knowledge filter'] The text of one such fragment (S. 2,013) is of peculiar [rather, of 'particular'] interest, it refers to 'Tiamat e-zi-ti' and 'Ti-amat shap-li-ti', i.e. "The Ocean (Tiamat) which is above" and "The Ocean (Tiamat) which is beneath," a close parallel to "the waters which were above the firmament" and "the waters which were under the firmament" of Gen. i, 7." :
[Genesis] "Then God said, "let there be a firmament in the midst of the water; and let it make a separation between water and water. God made the firmament and God made a separation between the water which was below the firmament and the water which was above the firmament."
"The second act of creation in the Hebrew narrative is that of a firmament which divided the waters that were under the firmament from the waters that were above the firmament (Gen. i, 6-8). In the Babylonian poem the body of Tiamat is divided by Marduk, and from one-half of her he formed a covering or dome for heaven, i.e. a firmament [E-sara], which kept her upper waters in place. Moreover, on the fragment S. 2,013 1 we find mention of a Ti-amat e-zi-ti and a Ti-amat shap-li-ti, that is, an Upper Tiamat (or Ocean) and a Lower Tiamat (or Ocean), which are the exact equivalents of the waters above and under the firmament." [King, 1902]
Genesis i:1-2, 'In the beginning God made the heavens and the earth. And [NOTE] 'the earth was invisible and unfurnished and there was darkness over this abyss', and a breath of God was brought on above the water', or 'the Spirit of God fluttered (as a Dove) on the face of the deep'. The 'fluttering Dove over the deep' creates the link between Genesis' Creation tale and the Great Flood of the Gilgamesh Epic, composed around 2100 BCE, where in the Babylonian Utnapishtim [which character had been based upon the Sumerian figure Zuisudra] immediately after the Great Flood had released a dove over the waters [as of course would Noah].
Utnapishtim, whose travails predate Noah's adventure by over a millenium, had been [like Noah would be] implored by his Creator God Ea to build a boat, according to his instructions [as would Noah], preceding the fatal Flood to preserve life : "O Man of Shuruppak, son of Ubar-Tutu, tear down thy house, build a ship; abandon wealth, seek after life(!); scorn possessions, save thy life; bring up the seed(!) of all kinds of living things into the ship [compare the 'Artic Doomsday Seed Vault']; make all go up into the boat!" Utnapishtim subsequently related that he together with a small crowd boarded the vessel.
After their ordeal "Enlil granted Utnapishtim and his wife immortality, and sent them to live at the mouth of the rivers", whereto Gilgamesh would set out on his quest for eternal life. "Utnapishtim, the Sumerian Noah", wrote Keller ['The Bible as History', 1956], "is recording what he himself claimed to have lived through, "And all of mankind had turned to clay"; today we know that line 134 of the Epic on the 11th tablet must depend on an eye-witness account, the exact description of the great storm argues for this assumption; the weather conditions which he describes are characteristic of an unusual atmospheric disturbance." The phrase "unusual atmospheric disturbance" used by Keller, pertaining to the approaching Flood, must be the ultimate understatement of the post Deluge epoch.
[Genesis] "Then God said, "let there be a firmament in the midst of the water(!); and let it make a separation between water and water." God made the firmament and God made a separation between the water which was below the firmament ['Tiamat shap-li-ti'] and the water which was above the firmament." ['Tiamat e-zi-ti'] This episode would be senseless but for Velikovsky's explanation. In 'Arrival Of The Waters' Velikovsky described the origin of chaotic event with Earth enveloped in water : "The conflict between the larger planets resulted in long-streched filaments ejected by a disturbed Saturn to cross Earth's orbit. The hydrogen of the planet combined with the oxygen of the terrestial atmosphere in electrical discharges and turned into water. At first the Nova in the sky shone through the ever increasing sheets of rain, but as the outpouring waters grew thicker the drama went on in darkness."
Genesis' 'creation' tale's confusion of Light, Day and Night and the Luminaries in the Firmament are equally explained by the celestial events surrounding the Flood and its aftermath. Genesis : "And God made a separation between the light and the darkness, day and night. And there was a evening and there was a morning. The first 'day'." .. and than on the fourth 'day' : "Let there be luminaries in the firmament of heaven to give light on the earth; to make a separation between the day and the night .. to make a division between the light and the darkness. And there was an evening and there was a morning." So, what had happened that got even God mixed up? Velikovsky [in 'In The Beginning'], 'Festival of Light' : "The Deluge and the Seven Days of brilliant light immediately preceding it were an universal experience, and left indelible memories. Man's collective memory thus recorded the initial brilliant and blinding light illuminating Earth, followed by the devasting darkness and depth of the waters, after which when the waters retreated the Planets with the Moon and the Sun appeared in the firmament shedding their light over the landscape. Many of the religious rites and observances of all creeds go back to these events of the past in which the celestial Gods Saturn [alias Osiris, Kronos, El, Adonis and Brahm(a)] and Jupiter [alias Marduk, Amon, Zeus and Jove] were the main participants. Among the most ancient of all such observances were the Festivals of Light of seven days duration, held in honor of Saturn. The seven days of light just before the Deluge overwhelmed the Earth are recreated in these feasts." .. it also inspired the mythos which would be the origin of Genesis' creation tale rendition.
Did Velikovsky reveal nature's causes underlying history, while Freud and Osman revealed actual relationships having made history, Hislop revealed political realities veiled in mythology making history! As their revelations converge, exposing the hidden currents carrying the Globalist geostrategic drama as it unfolds, their works did not shed a shred of relevance! The Pope, with the Vatican and Roman Church, that is the papacie with it's partizans and jesuits, recognised as a 'Super Power', playing his role in the Round Tabler Globalist endeavour, is identified by Hislop as 'the legitimate representative of Saturn, the hidden God of Babylon, 'Lat'. Lat is Latus the Fish God also known as Dagon, his Fish-Head Mitre was worn by China's Emperor, the Babylonian King, Egypt's Pharoah and the Pope alike, Ichthys, Bacchus and Kronos, the Horned One.
Hislop: 'Saturn as the hidden God is Janus, or Eanus, the grand mediator, the opener and the shutter, who had the key of the invisible world. E-anush in Chaldee signified 'The Man' as applied to the Babylonian Messiah, identified with the promised Seed [the Zero/Circle] of the Woman. The Babylonian [the name Babylon itself is derived from 'Bab-Ilu' meaning the 'Gate of the Gods'] Messiah Janus, the God-Man, was the keeper of the Gates of Heaven as well as the arbiter of men's eternal destinies [compare Shamash, Anubis and Jesus]. Eanus, worshipped as the God-Man or Messiah was celebrated too as 'Principium Deorum', the source of all Gods. Eanus or Janus through Cush [also Hermes, son of Ham, Mercury and Vulcan] had been traced to Noah. Through the Flood Ham and his brothers had passed from the Old World into the New World, with which 'began the doctrine of baptismal regeneration', carrying with them the tale of Adam."
In fact the tale of Adam was of course based on those survivors of the Deluge who crawled out of the clay. Perhaps some those that passed through the Deluge met on their arrival in the New World on old acquaintance, the Sphinx. "The fundamental cause of the anomalous weathering and erosion patterns on the Great Sphinx of Egypt was water, in the form of torrential and protracted rainfall." Rather than 'rainfall' that would have been the Deluge, as before the Flood Earth had been rainless, while after the Flood the location of the Sphinx would be largely arid.
Joseph Farrell, in his 2004 'THE REICH OF THE BLACK SUN, Nazi Secret Weapons & Cold War Allied Legends', mentions the Giza Sphinx and de Lubicz, what Farrell reveals however is beyond startling: "It was Schwaller de Lubicz [1887-1961], one of the most important philosophers, mathematicians, and Egyptologists of this century, who first noticed that the weathering on the Sphinx was inconsistent with a Fourth Dynasty origin for the monument, and that it pointed to a much older and far more ancient pedigree. It is de Lubicz's method, however, that would have been quite at home within the Ahnenerbe and more importantly, within Kammler's 'black projects' think tank. [see René Adolphe Schwaller de Lubicz's 'Roi de la théocratie Pharaonique' (or 'Sacred Science')]
In a 'nutshell', de Lubicz viewed Egyptian hieroglyphics and culture as the visible signs of a highly developed culture of analogical, rather than analytical, thought, science, and practice; any given hieroglyphic symbol became a synthesis of polarities of particular oppositions of forces, held in balance by the glyph - the information - itself. For him, analogical thought was synonymous with "action at a distance," and his thought here is quite in line with what was beginning to be bandied about in quantum mechanics, and has become a provable reality in our day, with the phenomenon of photon entanglement, which is one of the newest and most exciting areas of contemporary physics experimentation and research. In brief, this phenomenon occurs when two photons have been simultaneously emitted from a particular atom, but traveling in different directions. Thus, both photons carry the harmonic systems signature, the information, of the original atom and the circumstances of their emission. Then, when change occurs in the informational signature of one of the two photons, it will simultaneously introduce the change into the field of its own information, instantaneously, regardless of distance, because the other photon is an exact analog of the first photon. It is important to note that for de Lubicz, this analogical action at a distance or sympathetic magic was expressed within the context of a broadly dualistic world view in which there were two sciences, one of Genesis and Creation, and one of Destruction. This dualistic principal of life, death and resurrection is found too in the ancient Sumerian and Akkadian concept of the 'Black Sun' balancing the Shining Sun of our Solar system. [NOTE compare Yang and Yin, the binary system] The Black Sun's Universal features include being the source of the soul's immortality, as well as being the celestial origin, 'the uttermost 'Hyperborea' and 'Thule', of Aryans, which might have found its expression in the Luftwaffe's 'flying disk', the 'Foo Fighters'. The 'Black Sun' in Egyptian myth is bound up with the star system of Sirius, it 'played the role of a central sun to our entire solar system', from which Schwaller de Lubicz inferred "the existence of a cosmic system of atomic structure whose nucleus is this 'Great Provider', the Sothis... of the ancients", while, significantly in the Globalist context, in Babylonian mythology the 'Black Sun' was associated with the coming of the 'King of kings' and the establishment of the New Order of a [NOTA BENE, see Hislop] New Babylon.
Anticipating his inaugurating of the New Order of the Kingdom of God, Jesus undertook the washing of feet, notably a customary Greek ritual, revealed Jan Sammer in his 1993 article in Aeon, of his disciples. This very custon referred to the social order of the 'Kingdom Come' which would restore mankind's condition under the Kingdom of Saturn when all were equal and no-one owned anything, the socialist utopia of lore and the Globalists' dystopia of tomorrow: 'Jesus was portraying the New Order that would prevail in the Kingdom of God that he was about to inaugurate - as was once true in the in the Kingdom of Saturn, there will be no distinction of masters and slaves. The Romans used to celebrate their annual Saturnalia festival, held in memory of the long-gone Kingdom of Saturn, by having masters wait on their slaves at a celebratory feast, in an effort to re-create, however briefly, the social conditions prevailing while Saturn was still King. A new social order was also the basis of Jesus' concept of the Kingdom of God, of which the last supper, laying down, was but a foretaste'.
Was the Yih King the first step towards the 4th AI/IR as von Leibnitz had shown, the Egyptian hieroglyphics were recognized as the first step towards quantum physics by Schwaller de Lubicz. Indeed, 'in the beginning was the word', and writing, the world altering technology which emerged during the previous planetary epoch, created the gods, the vanguard over the vulgus. Writing the human genome would be the strategic technology wielded by the Vanguard to secure the Globe as their fief going into the next celestial epoch.
The Age of Pisces
In Egyptian E-anush is Ph'anesh, The Man, or Adam, who in the Hebrew of Genesis occurs as 'The Man' or 'The Adam'. The Adam represents the 'unfallen' E-anush, while The Man refers to the 'fallen' Adam, Man of Sin [compare Adapa as model for both Adam and Jesus. Jesus of course is Christianity's portal to eternal life]. To this Man of Sin after passing through sorrows and sufferings, the characteristics and glories of the Messiah, who came to save His people from their sins, were given, over a thousand years before the rise of Christianity. He was identified with the Sun, the only God [Aton] as well as with Adonis [Saturn], and to him the composition of the 16th Psalm predicting the triumph of our Christ over death and the grave was in all its greatness applied: "Thou wilt not leave my soul in hell, nor suffer thine Holy One to see corruption." This 'incorruption' of a 'glorified' body of the Messiah had however already been ascribed to Paganism's mediatorial God [that was Saturn or Eanus, Vulcan, The Adam or The 'fallen' Man (of Sin), and, or the slain War Lord Nimrod], .. as obtained from Jupiter, "that no part of his body should either become putrid or waste away."
In the sequence of events and in the connotations attached to the characters in play the celestial phenomena as described by Velikovsky are clearly displayed : the characters associated with Saturn allude to the Flood, Chaos, Confusion and antediluvial origins, while characters referring to Jupiter would be the Gods ruling after Jupiter overtook Saturn, in which context Jupiter granting the incorruptability of the Messiah's body is to be understood. Particularly interesting is the Messiah figure who, hailing from Adapa cum Adam(ah), the Fish(er) Man King, the provider of bread and fish setting the table, who commanded the South Storm when fishing, and who having ascended to meet with God, Anu, rose through Adonis cum Saturn to Amon cum Jupiter to Aton the Sun and Only God to arrive at the Scriptures' Revelation 22:16, declaring 'I am the Bright Morningstar', which would be, after the overthrow of both Aton and Yhw, given the proclamation in Revelation 3:14 'These are the Words of The Amen (Amon), the faithful and true Witness, the Ruler of God's Creation', Jupiter Puer.
The rise of Jupiter Puer, Christ the Fish-Man, heralded the 2200-year astronomical Age of Pisces, The Fish, as the sun on the vernal equinox rises against the stellar background of Pisces. Virgil had 'hailed' this new age, shortly before 'Anno Domini' proclaiming "a new great order of centuries is now being born." It earned Virgil the title of 'Prophet of Christianity', which could well have inspired Charles Thomson's choice for the complex motto of the Great Seal of the United States of America: "Annuit Cœptis - Novus Ordo Seclorum - E. Pleribus Unum", which refers to Jupiter as God and the ascend of a New World in a Babylonian setting .. a Mystery indeed. In Babylonian mythology the coming of the 'King of Kings' ['The Fish-Man', 'Lat', the Babylonian Messiah, the God-Man, Janus and, of course, Vulcan - see Alexander Hislop] and the establishment of the New Babylon are associated with the phenomenon of the [Babylonian] 'Black Sun', which shuttles us from the Sphinx and the Deluge to the Globalist Nazis' 'Neuordnung', Fourth Reich, Coronazist Globalists' 'Neue Ordnung', the Round Tabler World Order, and perhaps into a Vanguard's New World, as all indicators imply that the next extinction catastrophe must be nigh :
Papers published around 50 years ago in Nature [December 27, 1971] and in the New Scientist [January 6, 1972] disclosed that the last geomagnetic reversal was completed some 12.400 years ago. This was the era indicated by the Giza Star Clock, and the time of the extinction catastrophe. During 1976 Harwood and Malin warned that the completion of the next, presently rapidly accelerating, reversal of the earth's magnetic poles is to occur around 2030. [J M Harwood and S C R Malin, Nature, February 12, 1976] Should this not be perceived as an intimation of planetary disaster?
That Man faces an existential threat, again, may be inferred from the information published during 2019 by MagneticReversal.org : 1) The south pole has already left antarctica and the north pole is racing across the arctic ocean; 2) Earth's magnetic poles are getting ready to flip - Mission Manager, SWARM/ESA; 3) The Earth's magnetic field began weakening in 1600; 4) The magnetic field weakened 10% from the 1800s to 2000; 5) The magnetic field was weakening 5% per century, but now is weakening 5% per decade; 6) The magnetic field is continuing to weaken rapidly; 7) Magnetic reversals can occur in less than 100 years; 8) Magnetic reversals lead to extinction events :
NOTA BENE : "The apparent spacing of mass extinction events at long (~26 Ma) [i.e. about 26 million years] repeat times (e.g., Raup & Sepkoski, 1986), and the 'supposed' [rather much apparent] role of geomagnetic polarity reversal in extinction (e.g., Raup, 1985), both die-offs can be linked to minima in Earth's magnetic field strength, has received intermittent attention over the last 50 years, since early studies of Quaternary radiolarian [marine amoeboid protozoa] 'evolution' and polarity reversal in deep-sea sediments (Hays, 1971)." [in The Role of Geomagnetic Field Intensity in Late Quaternary Evolution of Humans and Large Mammals by J. E. T. Channell, L. Vigliotti, May 2019]
BOOK ONE, FROM ANU TO ZIONISM
© Wouter Lanz 2021